Xanadu II (1983)

Xanadu II (1983)

Art, Criticism, Essays, Eulogy, Fiction, Guam, Interview, Japanese, Legend, Micronesia, Micronesian, Music, Photography, Plays, Poetry, Prose, Research, Short Story, Song, Theatre

As defined by the advisor behind Xanadu II (1983), Xanadu's purpose "is to give an outlet to all of our campus writers." This holds to be true, as Xanadu II (1983)’s diverse range of perspectives and voices can be properly seen with the sheer amount of art, poetry, prose, plays, and academic papers published within. These pieces can be playful (“The Impossible Dream” by Makiko Tsuroaka) and political (“Waikiki,” by Tom Burneau); wholesome (“Lucy Grey in Kosrae” by Jackson K. Albert) and horrifying (“The Wives’ Club” by Tsutsui Yasutaka). 1983’s Xanadu II sought to reflect on the past, the present, and give hopes/predictions for the future. It sought to encompass multiple cultures, multiple facets of life, and even remember the lives of those that passed, specifically Senora Lolita L.G. Huxel.

Jeri Cochran, Lina Flores, Lila Gardner, Linda Wilder, Robert D. Camacho, Jean F. Barnes, Judith P. Guthertz, Tom Bruneau, Jim Craig, gloria m. ong, Russell N. Clayshulte, Cynthia B. Sajnovsky, Olivine Bohner, K. Kirtz, James Hyunmi Hatcher

Xanadu

Associated Student body/College Of Guam Press

Spring, 1983

Jeri Cochran, Lina Flores, Lila Gardner, Linda Wilder, Robert D. Camacho, Jean F. Barnes, Judith P. Guthertz, Tom Bruneau, Jim Craig, gloria m. ong, Russell N. Clayshulte, Cynthia B. Sajnovsky, Olivine Bohner, K. Kirtz, James Hyunmi Hatcher

University of Guam/College of Guam

University of Guam

PDF

CH, CHK, DE, EN, FR, haw, JP, KAN, KOS, PAU, PON, TAG, YAP

Book

MARC_XANADU_1983

Canada, China, Chuuk, CNMI, Commonwealth of Northern Mariana Islands, France, Germany, Guam, Hawai'I, Hawaii, India, Japan, Kosrae, Palau, Pingelap, Pohnpei, Saigon, Taiwan, Truk, Truk Atoll, Ulithi, United States, Yap